Bat Out of Hell - Meat Loaf
Bombastic, pretentious, overblown. These are terms used by critics
of Bat Out of Hell. But the album is meant to be all these
things. It is rock music at its most theatrical.
The songs on Bat Out of Hell were written by Jim Steinman
who had previously been writing for the theatre. Steinman met Meat Loaf
through a theatre production and was impressed by his passionate
vocal style. They decided to make a rock album together even though
they seemed unlikely to become rock stars. Meat Loaf's large frame
made him look more like an opera singer.
Their songs really need to be accompanied by visuals for maximum
effect. Meat Loaf becomes a character to match the songs. On the
title track of Bat Out of Hell his character is a reprise
of his role a few years earlier in the cult musical The Rocky
Horror Picture Show.
Steinman and Meat Loaf pitched their album to Todd Rundgren. Fortunately
Rundgren was one of the few people in the rock industry who saw
some potential in the songs. Although Rundgren doubted that the
music would be commercially successful he agreed to be the producer.
He also played lead guitar on the album and his band Utopia were
involved as session musicians.
Bat Out of Hell was released at the time when punk rock
was shaking up the music world. The album was the antithesis of
punk but slowly grew in popularity in defiance of the reigning musical
trends. It has stood the test of time to become a classic.
The songs on Bat Out of Hell range from slow ballads to
uptempo rockers. Steinman takes the common rock song themes of car
crushes and car crashes and turns them into mini operas. 'Paradise
by the Dashboard Light' is an example of the former theme. The title
track of Bat Out of Hell is an example of the latter, albeit
with a motorcycle rather than a car.
While attempting to record a follow up album Steinman and Meat Loaf
had serious disagreements. As a result Steinman recorded Good
for Bad singing the vocals himself. Steinman and Meat Loaf did
get back together again some years later to record further albums.
Bat Out of Hell remains the best ever combination of theatre
and rock on an album.
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