Movie Review by Bill Rendall |
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Sleepless in SeattleA movie romance usually goes something like this. Boy meets girl. We can plainly see they are made for each other (MFEO) but there is some plot contrivance to keep them apart. Eventually the boy and girl realise they are MFEO, overcome all obstacles and live happily together ever after. Sleepless in Seattle varies the formula by almost delaying the meeting to the last scene of the movie. There is just a brief encounter in the middle of the film. Sleepless in Seattle retains many elements from the earlier movie When Harry Met Sally, which was a collaborative creative effort between Nora Ephron and Rob Reiner. Ephron takes on the dual role of director and screenwriter for Sleepless in Seattle but Reiner has some input as an actor. The opening music in Sleepless in Seattle is 'As Time Goes By' from Casablanca, a movie which is referenced in When Harry Met Sally. Again the lead characters are a bright, optimistic female and a darker, pessimistic male. Meg Ryan reprises her role as the leading lady but Billy Crystal is replaced by a younger, taller, more attractive leading man in the form of Tom Hanks. There are references to an old romantic movie, this time to An Affair to Remember. Again there are Christmas and New Year's Eve scenes. And again the soundtrack uses classic old tunes rather than contemporary songs. There is an implication that some sort of magic is at work during Sleepless in Seattle which allows us to willingly suspend disbelief. I am happy to comply for most of the movie but the break-up scene stretches credibility a bit far. Is it really okay to dump the superfluous fiancé (Bill Pullman) on Valentine's day? He appears to be a good guy whose worst crime is being too dull and predictable. Sleepless in Seattle could have done something highly unusual if the leading man and lady didn't get to see each other until the last scene. It's a pity that Ephron blew this opportunity in Sleepless in Seattle but it's a good movie regardless. It became the benchmark for the romantic comedy genre in the nineties. |
Director: Nora Ephron Screenplay: Nora Ephron, David S. Ward, Jeffrey Arch Declaration of possible bias: The warm feeling of Sleepless in Seattle is enhanced by the inclusion of two cute kids. Showing maturity beyond their years they play matchmakers and travel agents, and use some cool acronyms. I am usually impervious to the charms of cute kids in movies but I must admit I can't help liking this pair. Perhaps I'm influenced by the stunning likeness between the boy and my own son at the same age. Further viewing: Ephron brought back Hanks and Ryan to star as romantic leads in You've Got Mail. This is a remake of the old movie The Shop Around the Corner but modernises it with references to the Internet and email. A disturbing subplot is the modern trend of corporatisation. |
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