Lateralus - Tool
Progressive rock isn't dead. It just got heavier. Tool use humour
to avoid the pitfalls of pretentiousness that some other arty bands
have fallen into. They have been influenced by the philosophy of
the notorious comedian Bill Hicks.
The cover art of Ænima, the album that established
Tool, features a portrait of Hicks and an excerpt from his comedy
routine can be heard at the beginning of the drug influenced 'Third
Eye.'
Tool aren't afraid of stirring people up. The song 'Ænema',
inspired by one of Hicks' comedy routines, is a scathing attack
on Los Angeles and also includes a swipe at L. Ron Hubbard.
Some of the content of Ænima is of questionable taste.
For example, 'Hooker With a Penis' is too gross for me. It's a shame
that Tool stoop to the level of their stupid critics on this song.
However, there is around an hour of great music on Ænima
so it is a worthy album.
After Ænima was released Tool were involved in lengthy
legal battles with their record company and their manager.
This resulted in a long delay before releasing their next album.
When Lateralus finally arrived it proved to be well worth
the wait.
Lateralus is nearly 78 minutes long, which is
about the maximum capacity of the CD format. I was worried when
I first heard 'The Grudge', the opening track of Lateralus,
as the vocals are sometimes disturbingly close to rap. I am relieved
that this is a brief aberration and Tool have not succumbed to rap
metal.
'The Grudge' is followed by a short and quiet instrumental. Then
comes 'The Patient' which is my favourite Tool song. Soft and heavy
passages alternate for maximum drama. After a wild ride 'The Patient'
winds down with a quiet return to the opening riff.
'Schism' and 'Parabola' come close to being mainstream rock. However,
'Schism' is in an unusual time signature, as is much of the album.
'Parabola' and 'Parabol' are really one song split in two. 'Parabol'
ends with a quiet version of the chorus of 'Parabola' and 'Parabola'
ends with the opening riff of 'Parabol.'
Some of the vocals on 'Ticks and Leaches' are too close to rap
for my liking and this is the track I like least on the album. It
is followed by the title track which is a welcome return to form.
'Disposition' signals a change of musical style. Up to this point
the music is very challenging. From this point on Tool allow you
to relax your brain. 'Disposition' is a simple tune with simple
lyrics repeated as a mantra. It has a hypnotic and meditative feel
with quiet backing instrumentation such as tablas.
Drums segue into 'Reflection' which meanders along for over eleven
minutes. This track doesn't have Tool's usual variation in dynamics
and timing but does have some interesting sounds. It would have
been a great way to finish the album and I often stop the album
here.
'Reflection' is followed by a long instrumental called 'Triad.'
I tend to find long instrumental tracks boring and 'Triad' is no
exception. In places the guitar sound reminds me of Robert Fripp's
work with King Crimson. The album ends with a collage which is only
likely to appeal to dedicated fans.
The standard of musical skill displayed on Lateralus is
very high. In particular the drummer, Danny Carey, is amazing. He
plays complex polyrhythms instead of emphasising the traditional
rock backbeat. The drums are spread widely over the stereo spectrum
which makes them sound larger than life.
There are many long tracks on Lateralus but they
are not structured in the traditional heavy metal fashion of playing
fast and flashy guitar solos on top of repetitive riffs. Tool create
complex structures with changing patterns and time signatures. Adam
Jones plays inventive guitar fills without falling into metal clichés.
Lateralus is an album that slowly snuck up on
me. Initially I didn't like it as much as Ænima but
the more I listen to it the more I like it. The production of Lateralus
is more polished and commercial in sound than Tool's earlier albums.
However, the deviation from traditional rock rhythms makes the music
less accessible. Lateralus is an album for musicians and
fans of the band. I recommend it as Tool's finest work but it requires
repeated intensive listening to fully appreciate how good it is.
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